Marc Bamuthi Joseph’s “red, black & GREEN: a blues”
is an enjoyable socio-cultural statement with many rings of
fruitful growth.
Upon first walking into the Atlas Performing Arts Center in Washington,
D.C., people formed a long line to await
entrance into Marc Bamuthi Josesph’s new multimedia play. The interactive set
of three rooms of a house on movable wheels played with the audience’s
curiosity while walking around it in discovery. Singing and dancing with spiritual
flair, the actors provided the audience with visual and audible pleasantries
and occasionally a slice of fresh fruit to sample.
Watermelon seeds – said countless times in Joseph’s
multimedia play, red, black & GREEN: a blues - stand out to me like little,
black, unchewable seeds stand out against a bright red wedge of watery melon.
The rhythmic music made by the well-experienced artists’
feet, hands, mouths, and regular household items portrays one ring of the
message. The interactive, multimedia set provides another ring of the message.
Then, out of Joseph’s mouth in the likeness of a Sudanese woman came black
unchewable seeds: the life of a loved one cut off unexpectedly by violence
after she moves to the States to find viable opportunities.
An additional ring of thought in the play, the artists discuss Houston’s
Third Ward Project Row Houses that provide multimedia art projects to the
public and homes and gardens to residents. Another ring- DeFremery
Park, aka Lil
Bobby Hutton Park,
in Oakland is the site for Joseph’s
Life is Living Festival that becomes a stand for environmentalism. The root of
affairs portrayed as organic, natural foods healing humans and the Earth, in
part. When we let each story roll over our tongues and digest, we understand
the watermelon seeds.
The green movement separates society because depending on
your economic position, the only green movement for anything organic becomes
the movement to sustain, nurture, and progress human life, specifically those
who live in poverty. People in many neighborhoods are too busy fighting for
their next meal to worry about being green.
Life is green too, as many forget. That small black,
unchewable seed can be planted for its fruit or spit on the ground or thrown
away, disregarded altogether. So is the green movement promoting food security
and public health or is it promoting consumerism?
A company like Monsanto genetically alters its agriculture
which may or may not affect our health in negative ways. Then a company like
Coca-Cola sells sugar water and chemicals so cheaply that its consumers may
or may not drink soda everyday because it’s the most economical option. Then a
company like Public Health Institute works with the Let’s Move
initiative to keep children active, fit, and making smart food choices by
growing their own vegetables and learning the value of a vitamin and a carrot.
So as I watched the timely socio-cultural statement created
by Marc Bamuthi Joseph, I knew that the Sudanese woman with the watermelon seeds
metaphorically described the economic disregard for human life. The watermelon
seed, the human being in poverty, required the most care, watering, and
attention. Because at the heart of the matter is alleviating poverty,
violence, miseducation, and other injustices to ensure that movement toward food security is
organically, humanely green.


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